......... one of the essential things about the analysis we had been doing together was that once you had done it and it had guided your instincts then you had to forget everything and let it come through your subconscious. You're not teaching the orchestra or the audience what you've learned in analysing the piece! Your analysis tells you how the music goes, and then you've got to put it across.
Conductor, also a mentor and friend of Simon Rattle
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